Interactive artwork 1 : Dead nature being revived


For the Junction Fringe Festival Exhibition Brigid Teehan decided to incorporate some shop display furniture to create an interactive piece. Gallery visitors were invited to draw and/or write on a revolving four-sided paper-covered tower. The following is from the blurb :

"It is a six day recording of a network of memories in response to the title ‘Dead nature being revived’. The theme is one of hope: that the possibilities of regeneration are limitless and out of destruction can come new life and growth.

Participants can choose to equally ignore the title and make whatever marks/images come to mind or react to others work on the paper tower."

Most participants chose the latter.

Junction Fringe Festival Exhibition

Flyer for event depicting each artists' work.

This pop-up exhibition was run in the fringe section of Clonmel's annual festival, the Junction Festival, a nine day long multi-disciplinary arts festival featuring modern theatre, dance, family spectacles, street theatre, rock, world music and trad. It was the 10th anniversary of the festival this year and while it has always had some visual art elements to it, it now included a gallery exhibition.
A disused commercial unit was made available to us. The venue this time was a former mobile phone shop in Market Place, Clonmel a couple of doors down from our 1st exhibtion space. As before it was arranged courtesy of Pat Quirke.



STAC Gallery Talk


On Saturday 19th June, several artists talked about the work they had on show. Invited artist Etaoin Holahan gave a short history of Endangered Studios, a group run on similar ethos to ours in Co. Kilkenny. This was followed by an open discussion on the creative uses for empty commercial spaces chaired by members of ArtHive. 


 Endangered Studios artist Etaoin Holahan with accompanying video projection.

 
Bill J Doyle talks about his metal sculpture Wilderness.

Brigid Teehan presents her installation Still Life: Shipton
Dennis Ryan talks about his ceramic piece Keep your Feet on the Ground.

Lagganstown Studio: A Profile


An antique filing cabinet contains an eclectic repository of visual imagery, most of it but not all 2D. 



David Best's work here seems to consist mainly of combined photo-etchings of medieval prints of anatomy, botany and architecture. Some have subsequently been painted on and/or collaged with items such as playing cards glued to them.























South Tipperary Arts Centre Exhibition

Invite for show, reverse & front.
Our 2nd group show is open from 3rd June until the end of June courtesy of STAC, Clonmel's local arts centre. STAC is a long established art gallery so the artists didn't have to worry about preparing the space, making this a more conventional exhibition.



The shows' opening was listed in an event page in Facebook as well as being promoted by the arts centre. It helped bring in a large crowd for the opening and for the duration of the show.
Emer Lynch in front of her video installation HoriZoN during opening.
Brigid Teehan - Still Life: Shipton installation


l to r: artworks by Violeta Pserackaite, Dennis Ryan, Brigid Teehan & Deirdre Delamere

A Studio In Lagganstown

Front gate of the schoolhouse left; front exterior right
After a long search through Clonmel town, we went searching further afield. Now courtesy of Maggie Roth we have use of a bona fide artist studio, converted from an old 19th century schoolhouse in Lagganstown, near New Inn, some 20 minutes drive from Clonmel, 10-15 minutes drive from Cashel/Cahir. Two large rooms, originally the boys and girls classrooms, as well as a small kitchen and WC. It's been disused for a while, nigh on fifteen years or so. It took a fair amount of dusting and scrubbing and painting  before we could set up our work-spaces. 


In its previous incarnation it was a printing studio, used primarily by artists David Best and Brian Kennedy. Some of their rough and/or mildewed proofs and rusted plates were found around the equipment left behind. We subsequently discovered Brian had published a book based on the work he did here: “The Lagganstown Prints” a series of colour-field abstractions such as Lagganstown panorama IV.

Side view of print press. Rough proof by David Best, top right.
A huge printing press occupies one end of the studio, accompanied by a large number of slowly drying tins of ink. It must have been maintained in the interim as it appears to be in working order-while the screws to adjust pressure are stiff the bed wheels are well greased and run silently. The bed (1.3 x 2.5 metres approx) is not as wide as the roller (1.5 metres approx) unfortunately, but its still very very big. (Check out the dimensions on Kennedys' Lagganstown panorama IV ). 
The roller can't be extended fully because the wall is in the way but it extends at a comfortable 2 metres plus. 

3/4 view of print press, showing relative widths of bed and roller.




There are also two large glass topped filing cabinets for storing finished prints.
view from door
view from print press through to the adjoining room

Rough proof by David Best (detail)
Unfortunately there is no photo-etching equipment here, you can only speculate whether the plates were done here or some more sophisticated print studio. Similarly there are no baths for etching plates or soaking paper (though for the latter presumably sponging the paper could suffice instead). 

This looks to be a lino/wood cut print on acetate, not sure who to credit this to.

Originally girls classroom, fireplace behind desk

Both classrooms have fireplaces, but the place is more efficiently heated with fixed thermostat radiators that slowly release heat throughout the day.