TRIBUTE Bereavement and Loss workshop


Bereavement and Loss workshop hosted by Art Hive
On Saturday 8th November 2014
From 12 until 5pm
At Nest Space (opposite Gamestop), Mitchell St, Clonmel

 

       The purpose of the workshop is to make something beautiful and evocative as a positive reminder (aide-mémoire) of someone who has passed away. This could be a collage, print, textile, a time capsule, or something 3 dimensional (shrine like). It could be a lengthy process, so participants should make sure they give themselves time within the workshop to achieve a finished piece.
       

When a loved one dies they leave behind so many
physical things.
It is often difficult to know what to do with
everything. In time it becomes easier to part with some of these, but there are often a few things we would like to keep forever, as well as photographs.
 

It is most important to bring mementos of that
person.
These can be photographs (which can be photo-copied on site), articles of clothing, pictures from magazines or newspapers, small things; anything that you associate with that person. Give yourself time to choose what to bring. If you want your piece in a frame, please bring one with you. Charity shops and Euro shops are good sources.
 

Materials and facilities provided: some basic including
sewing machines, a photocopier, glue, paper, background cloth, and printing equipment.
 

The workshop is for anyone and everyone. Under 16s must be accompanied by an appropriate adult. Everyone and the objects they bring will be treated with the utmost respect.

The workshop is a free event.
 

Drift-line Debris - deconstructed Clonea Strand

Lyn Mather's piece at Omni Hive was an installation based on the steps leading up to the first floor. It consisted of jetsam collected on Clonea East Strand, Co. Waterford, gathered on the high tide drift-line within a relatively short time.


Drift-line Debris - deconstructed clonea strand (detail)


Short Artist Statement:
As an artist concerned with environment and ecology, I am interested in depicting the human cultural impact on life and the kind of landscapes and eco-systems we create and contribute to. Often this includes looking at the processes of nature in relation to cultural expression unfolding in time. My work is concerned with giving nature a voice or showing human cultural forms where they converge and form a collective layer with what was once pristine nature. 



Drift-line Debris portrays a collection of lost and abandoned plastic roping, netting and washed up blue gloves once used in the nearby oyster trade. On the steps, individual objects and organisms are displayed as found - some are to various degrees damaged and decomposed as the tide of time is processing all of these back into the sand and sea. 

Whilst all of this debris washes up on a strand on a high tide line between the sea and land bank, the drift-line that we often walk along in hope of discovery perhaps, this installation of objects are portrayed in circles of sand to highlight that each of these pieces have their own story to tell.